FPC20260 - Film Production Companies: Taxation: Profit/Loss calculation: Estimating amounts
FA06/SCH4/PARA8
The treatment for calculating taxable profits of the film-making
activities of film production companies (FPCs) (
FPC10110) may involve estimating the
total income and total costs of a film (
FPC10100). There rules are which set out
the basis on which such estimates are made.
The aim of these rules is to ensure that the income that is
recognised accords with the substance of transactions in the same
way that would be expected for statutory accounts.
To be income, sums should be recognised using the same
principles that are set out in FRS5 Application Note G and IAS18.
These require that revenue should be recognised as the seller
carries out its contractual obligations and so earns its rights to
the revenue; providing it is probable that the revenue will flow to
the company and the expected revenue can be measured reliably.
For FPCs the estimate to be made as at the end of the
accounting period using all the information available at that time,
on a fair and reasonable basis and taking into consideration all
relevant circumstances. It follows, under the principles in FRS5
and IAS18, that speculative income, where potential buyers have not
yet been identified, would not be brought into account. But where a
seller has entered into a transaction with a buyer, revenue should
be recognised in accordance with the substance of that transaction.
If the revenue does not arise until the occurrence of a
critical event, it is not recognised until that event occurs only
if the occurrence is outside the control of the seller. The
delivery of the completed film is regarded as an event that is
within the seller’s control, and does not delay recognition.
Similarly, the mere fact that the buyer has to accept the completed
film does not delay recognition.
Speculative productions
While almost all television and theatrical films are commissioned, and will have a measure for estimated total income from the outset, some productions that come within this legislation may be speculative with little, if any, income that can be brought into account in calculating profits for an accounting period. Nevertheless, it is likely that there will be a reliable estimate for the estimated total cost and so the costs to be debited in each accounting period will be the additional costs reflected in the work done while the income may well be zero.
Examples
The examples below which relate to qualifying British films are
intended to illustrate the calculation of the accounting profit or
aspects of it. Entitlement to the additional Film Tax Relief is not
addressed here, but is dealt with separately – see
FPC55000:
Example 1: Sales agent forecasts
At the start of production income and expenditure for a film
is estimated as:
| Total cost of producing according to the budget and shooting schedule seen by the film guarantor | £22m |
| Grants and equity investments | £5m |
| Existing pre-sales of rights | £10m |
| Sales agent forecast of sales of rights in remaining territories | £12m |
As production commences, the income to be brought into the
computations in FA06/SCH4 is the money which the FPC has, or
expects to receive; this is the grants and equity investments of
£5m plus the pre-sale of rights of £10m.
The sales agent forecast of £12m is the sales
agent’s judgement of how much might be expected if the
remaining rights are sold. The sales agent’s estimates are
not estimates within the meaning of FA06/SCH4/PARA8 and are not
included in the company’s estimated income.
Example 2: Contracts under negotiation
An FPC is commissioned by a major broadcaster to make a
programme for transmission on a national terrestrial network. It is
estimated that the programme will take three years to make and will
have a total production budget of £150,000 which will be
incurred on a straight line basis over the three-year period (i.e.
£50,000 a year).
Under the terms of the commission contract, the FPC will
receive income of £210,000 in two equal tranches - the first
after 18 months and the second on delivery of the programme.
During the second year of production, the company enters into
negotiations with a computer games development company for the sale
of the right to use one of the characters in the programme for
£60,000 once the programme has been completed. Although
initial discussions were promising, negotiations fall through early
in a third year of production and both parties decided not to
proceed with the deal.
The negotiations do not give the FPC a realistic and
quantifiable expectation of income and the income remains
£210,000 spread over the 3 years of production, in the form of
£70,000 per year following the straight line expenditure of
£50,000 per year, giving taxable income of £20,000 per
year.
If the negotiations were brought to fruition in the third
year, and the contract agreed as described, then the additional
income of £60,000 is recognised in Year 3.
Example 3: Speculative film-making
A company that records live performances and sells DVDs of
them arranges to record the current tour of a famous comedian. The
total cost of recording, editing, production, advertising and
exploiting the DVD is reliably estimated as £1m. The company
has established distribution channels for such DVDs and intends to
retain all the underlying rights itself. From the company’s
experience of producing and selling such DVDs it expects sales of
not less than £6m over the normal sales profile for such
products.
In the absence of contracts to sell the DVDs or the rights,
the company has no reliably predictable income which it must
estimate.
Consequently, although DVD expenditure needs to be fed into
the calculation in FA06/SCH4 and will be deductible, there is no
income to bring in until sales are made.
