Film producers normally obtain funds to make a film from a
variety of different sources. It is often practice in the film
industry for a producer to fund part of the costs of making a film
by pre-selling some of the rights to exploit a film to a film
distributor (for example, by granting a licence to distribute the
film in a particular territory for a certain period of time).
Clearly, the value of the master version of a film will be reduced
if some or all of the rights to exploit and profit from the film
are removed.
The existence of pre-sales agreements should not be used to
challenge the amount of the lessor’s claim to relief on
acquisition of the master negative provided that: